Spaceships: Abstract Photographs of European Architecture Portrayed as Spacecraft by Lars Stieger

Berlin-based photographer Lars Stieger travels around Europe to photograph architectural structures, but instead of capturing a building in its entirety he opts to isolate only the most unusual aspects, recasting each as a figment of science fiction. For his new series titled Spaceships he pushes this concept to the extreme by applying an otherwordly color scheme that places these real-life buildings onto alien worlds or sends them hurtling through space. You can see more from the series on Behance.

Weeds and Other Botanical Specimens Recast as Dark Subjects in Daniel Shipp’s Dramatic Images

In Daniel Shipp's series Botanical Inquiry, the Sydney-based photographer explores how plants and flowers found at the edges of urban infrastructure fit into our modern world. Shipp collects seemingly unremarkable plants and photographs the subjects in built dioramas, an environment that allows him to manipulate the relationship between foreground and background with a controlled precision. Through this process he is able to create dramatic photographs in-camera, shooting digitally but using old visual effects techniques developed for early cinema.

By highlighting botanical specimens we have culturally labeled “weeds,” Shipp attempts to shift the viewer’s perspective on flora that they might walk past each day. He recasts these marginal plants as the subject of each of his photographic stories, showcasing their knack for survival even in the face of pollution and harmful human intervention.

“There are some beautiful ‘weeds’ that we might walk past all the time,” Shipp explains to Colossal. “I knew that if I could present these often unnoticed plants in the right context that there was potential for storytelling. Next time you go for a walk make an effort to look for plants in places you wouldn’t normally—shopping center carparks, service stations etc.”

Shipp further explained that one of the most beautiful colors he has photographed for the series was found on the underside of the foliage of a plant common to industrial parks across Sydney. The hidden purple was one of the most incredible metallic shades he had ever seen, and it had been sneakily surrounding him for the majority of his life.

Shipp was recently announced as the winner of Magnum and LensCulture's 2017 Fine Art Photo Award. You can see more of his photographs on his website and Instagram, and take a behind-the-scenes look at his Botanical Inquiry series in the short video below. (via This Isn’t Happiness)

Unbraided Rope Installations Branch Like Roots and Nervous Systems

Artist Janaina Mello Landini (previously) continues to produce dizzyingly complex installations and canvas-based sculptural works comprised of unbraided ropes that branch out like tree roots. The fractal-like artworks have developed over a period of six years as part of her “Ciclotrama” series, a word she coined that combines the root word “cycle” and the Latin word “trama” meaning warp, weaving, or cobweb. Via Zipper Galeria:

Janaina Mello Landini aggregates her knowledge of architecture, physics and mathematics and her perception on time to develop pieces that travel through different scales. The labyrinthine architecture has been the central axis of her research in the “Ciclotramas” series, made with ropes that break down into minimal threading, and “Labirintos Rizomáticos”, works in satin that result in the construction of multifocal perspectives, nullifying the traditional construction.

Landini has created numerous pieces for several shows and installations over the past year. You can see more of her recent work on Artsy and Zipper Galeria. (via Visual Fodder)

Reader Story: How Angela Travels the World as an Au Pair

One of the biggest challenges for people is saving up for a world trip. It can be daunting trying to save thousands of dollars for your next big trip. Yet I always say “If you can’t save, go work.” The world has an abundance of jobs that travelers can get. Millions of travelers fund their trips by working their way around the world. Today, I want to profile one of our community members who does just that. Angela works as an au pair. This funds her round the world travel dreams, let’s her stay in a place longer, and get to know a culture better. Today we share her story and tips for being an au pair.

Nomadic Matt: Hi Angela! Thanks for doing this. Tell us about yourself!
Angéla:I’m Angéla and I’m 28 years old. I was born near Lyon, France, and am the eldest of four sisters. After graduating from school when I was 21, I started working as an au pair in Germany. I wanted to get out of France and work with children, so this was the perfect job! Seven years later, I’m still an au pair, currently in Japan! I love what I do because I get to travel and work with children, the two things I love the most.

Were you always interested in travel? How did you get started?
Funny enough, out of all my big family (I have three other siblings and lots of cousins), I’m the only one who likes to travel a lot! Nobody around me ever went abroad for more than a few days, and especially not very far away. So I didn’t know much about traveling, except from watching movies and pop culture.

I didn’t begin traveling until I was 21. I guess it was because I never did it that I wanted to do it. I’d always dreamed of traveling the world and seeing the places I saw in the movies

How did you decide to become an au pair?
It happened seven years ago when I was looking for a job in France and after finding nothing interesting, I decided to have a look at the au pair thing. It sounded interesting — working in another country and living with a family. By being an au pair, I would be able to have a job, accommodation, food, lots of free time, and some extra spending cash. It was perfect. I could enjoy traveling without needing a lot of money because I could use the money that I would earn during my stay. It lets me travel without huge savings.

In 2010, I found my first host family in Germany and stayed one year with them. I loved the fact I could work in another country and use the free time to explore a new place. Plus, I get to work with children all the time, which is my field of work, so now I have accumulated years of experience. I was hooked after that first year, and decided to do it again instead going back to France to find another job.

Where have you worked as an au pair?
I’ve been to Germany, England, Canada, New Zealand, Australia, and Sweden, and I’m currently in Japan. I stay from eight months to one year in each country. All of them have been great experiences. I’ve been lucky enough to stay with very good people, and everybody I met while traveling has been super nice.

My favorite place has been New Zealand. It’s simply breathtaking! The landscapes are unbelievable. I can’t recommend it enough. Canada is probably my next favorite. It is a relatively safe country to live in, the people are nice, and I love the cold winters. I got to try ice fishing and totally loved it!

How does someone become an au pair? Is it easy? Hard?
I personally think it is easy. Your main job is to take care of children, so you must be OK working with them, but other than that, the tasks are often easy enough and you have lots of free time. You work on average between 25 and 30 hours per week. All your weekends are free, as are the evenings as soon as one parent gets home. You may be asked to babysit from time to time, though.

Everything is included when you live with the family, so you don’t have many expenses. The only thing I paid for myself was my plane ticket (although you can be lucky enough to have a family that pays it for you). I never felt like this was a so-called “job” — more like helping out a family and being a part of it.

To become an au pair, you can either use au pair agencies or one of the websites like Au Pair, Au Pair World, International Exchange, and Go Au Pair. With an agency, you pay them and they do the paperwork, show you different family profiles, and put you in contact with them. All along your stay, they are in touch with you in case of any problem. It’s like any other job placement service.

On the internet, there are a lot of websites for au pairs. This is more DIY. You create a profile, search for families (they can search for au pairs too), and if one catches your interest, you start by sending a message, and from then, if both parties get along, you get in touch via phone, mails, Skype. There’s no third party involved. It’s between you and the family (so no one is there if something goes wrong). I’ve only ever used these websites, as it’s free for au pairs to join, and I’ve always been lucky in my searches for families.

What qualifications does someone need to be an au pair?
While it’s not necessary, it’s good to have experience with kids, because the families might feel more confident in hiring you, but other than that, you don’t really need much. Every family is different. Some will want you to have experience and will ask for references; others don’t ask for anything.

What’s the biggest challenge?
I will say it’s learning how to live with total strangers. You’re in a brand new country, with people you don’t know, and you’re going to spend six months to a year with them. It takes some days for everybody to get used to each other and to know how the family works. You need to learn to accept their way of living. Sometimes it can be really different from what you’re used to, and it takes some time to just be a part of it.

Also the fact it is not your own place is a bit of a challenge. You may live there for a long time, but at the end of the day, it’s still not your place. I find it always a bit hard to pretend it is. For me, it is my host’s home. You can’t have guests like you would in your own home. You hear the kids playing, running everywhere all the time, even on your days off. Sometimes the parents may leave the house a mess and you have to tidy it up, because you can’t stay a day in such a mess any longer!

Personally, I’m really easygoing and used to living in any kind of place with different people. I never felt that was a “challenge” — from my first experience all was smooth during my stays. Maybe I find it easy to get along with people, and don’t mind their way of living.

Is it hard as a Westerner to get a job outside of “the West”? I always thought Western au pairs only worked in other Western countries.
It is true [that Western au pairs are] mostly in Western countries. In Japan, it is not common at all, especially because here the moms are often stay-at-home moms, so they don’t need another person to do the job. Also, it is in their culture to not accept a total stranger taking care of their own kids.

The few families I could find in Asia have always been expat families. Often one parent got a few years’ contract with a company and moved abroad, thus they know what the au pair thing is. In Nagoya, where I am now, I know at least three au pairs, but I don’t think we’re much more than that. So if you want to be an au pair, you’ll find that most of the jobs are in Western countries.

Tell me about life as an au pair. What’s the pay like? How often do you work?
The pay depends mainly on the family and the country you’re in. But my salary was usually 300-400 euros per month. It seems to be the average for an au pair working 25–30 hours a week.

The work mostly consists of bringing the kids to school and picking them up, helping with homework, cooking and having dinner, bathing them, and getting them ready for bed. Some families may ask you to do house cleaning in addition (in which case you’re paid more for that).

When the kids are at school, you’re totally free. Most au pairs will take language classes, or do sports or other activities. I usually take some of this time to cook dinner and clean the house (if needed). Mostly I try to hang out with friends or visit some places nearby. When in a country where au pairs are popular, it is really easy to meet up with them, as we all have the same free time. It’s an easy job if you are good with kids, sensitive, and practical. And especially if you get along well with the family, there’s no problem at all!

What’s your one tip for people looking to become an au pair?
If it is your first experience as an au pair and you don’t know how you feel being away from home, my advice would be to start in a country that is near your own. That way if you’re homesick, it will be much easier to go back. And if you like the experience, you know you’ll be ready to start again farther away! I started in Germany, knowing that if anything happened I was just few hours away from home.

Other than that, nothing specific, except I can only recommend it! It is a really good experience living abroad and a way to get out of your comfort zone, as you’re going to live for a few months somewhere totally new!

What’s been the biggest lesson so far?
Never think traveling is not possible for you. I had no exposure to it while I was growing up and would never have imagined myself a traveler, as I was very shy and introverted. I think, besides shocking my family, I shocked myself when I went away. But when you go away, you realize how easy travel is and how many opportunities there are out there to make travel a reality.

I think that traveling is a good opportunity to discover new parts of yourself. It changed the way I am now. I feel more confident and more open to talking to strangers. It’s made me a better me!

You’ve be traveling for 7 years now. What’s your number one tip for new travelers?
Be friendly to people and be respectful of the country you are in. Respect is important, and people will accept you more if you are openly happy and curious to be visiting their places. Don’t judge. Learn to listen.

When I was in Australia, I was told numerous times that French people there were acting really poorly, being mean to animals and disrespectful of people and the environment. I can’t understand this type of behavior, and it made me ashamed and sad to learn that. It is so important to show respect and be kind to those in the country you are visiting. You’re a guest in their home.

****
Angela got a job working as an au pair in order to fulfill her desire to travel the world. When you have limited funds, find a job like Angela and use your skills or passions to earn money and keep you on the road.

Hopefully, this post will inspire you to think outside the box a bit and figure out ways to use your passion and skills to get out there, escape the cubicle, and see more of this world.

Become the Next Success Story

One of my favorite parts about this job is hearing people’s travel stories. They inspire me, but more importantly, they also inspire you. I travel a certain way but there are many ways to fund your trips and travel the world. I hope these stories show you that there is more than one way to travel and that it is within your grasp to reach your travel goals. Here are more examples of people who found work overseas to fund their trips:

• How Oneika found teaching jobs abroad
• How Jessica and her boyfriend found jobs around the world
• How Emily taught English to fund her RTW adventure
• How Arielle found a job working on a yacht
• How Ceil got a job teaching in Saudi Arabia

The post Reader Story: How Angela Travels the World as an Au Pair appeared first on Nomadic Matt's Travel Site.

Segmented Glass Sculptures Inspired by Cell Division by Jiyong Lee

Cell-Building block, 14 x 14 x 14 inch, 2016

Driven by an interest in the biological process of cell division, artist Jiyong Lee (previously) fabricates translucent sculptural works of segmented glass components fused through coldworking techniques. Some pieces purposefully take the form of organic life with titles such as “White-orange Chromosome Segmentation” or “Geometric cell membrane segmentation” while others are decidedly more geometric in nature. Born and raised in South Korea, Lee has helmed the glass program at Southern Illinois University since 2005. He most recently had a solo exhibition with Clara Scremini Gallery in Paris, and you can see many more of his pieces on Artsy.

White-orange Chromosome Segmentation, 7 x 12 x 16 inch, 2017

Orange Cylinder Segmentation, 5.7 x 11.5 inch, 2017

Geometric cell membrane segmentation, 17 x 14 x 14 inch, 2016

Black & White segmented Cylinder, 5.5 x 13.75 inch, 2015

Gold-Ruby Trapezohedron, 9.25 x 15 x 10.5 inch, 2015

Blue-Yellow cuboid segmentation, 10.5 x 9 x 5 inch, 2015

white Drosophila embryo segmentation, 6.5h x 14.5w x 5.75d (inch), 2014

The Ornate Bird Palaces of Ottoman-Era Turkey

Several photos courtesy of Caner Cangül

An important element of Ottoman architecture in Turkey was the addition of a birdhouses affixed to the outer walls of significant city structures, a safe space for regular avian guests to nest outside of mosques, inns, bridges, libraries, schools, and fountains. The birdhouses were not simple concrete structures, but rather elaborate feats of miniature architecture that ranged from one-story homes to multiple-story bird mansions. Each was designed with a similar design aesthetic to the country’s larger buildings, simultaneously providing shelter to sparrows, swallows, and pigeons while preventing bird droppings from corroding the walls of the surrounding architecture.

In addition to providing shelter, the birdhouses fulfilled a religious vision. They were thought to grant good deeds to those that built the tiny homes. Through their abundance and care, the structures encouraged a love of animals in the Turkish public, citizens who adopted several nicknames for the homes over the years including “kuş köşkü” (bird pavilions), “güvercinlik” (dovecots) and “serçe saray” (sparrow palace).

Only some of these bird mansions remain today, however their place is firmly rooted in Turkish history. Nearly every city in the country contains examples of the bird homes, the oldest example, a 16th-century house attached to the Büyükçekmece Bridge, still surviving in Istanbul. (via Jeroen Apers)

New Retro Technology LEGO Kits by Chris McVeigh

Author, illustrator, photographer, and LEGO aficionado Chris McVeigh (previously) has added new retro technology kits to his cache of minimalist models, sets which include several decade-specific desktop set-ups and a boombox with multiple lego tapes. McVeigh even attempts to make each desk’s contents comply with the decade of its corresponding computer, like the version above which includes floppy disks which can be inserted into the computer, and a stack of computer manuals. You can view more of McVeigh’s lego kits (which also include different foods, bonsai trees, and video games) on his Facebook and Instagram.

Vintage Film Cameras Meticulously Built From Colored Paper by Lee Ji-Hee

Korean artist Lee Ji-hee builds paper models of old film cameras, recreating the details of their every mechanism through expertly folded paper. Although his paper cameras match the original in every aspect of their form, the colors he selects for his designs are much different. Instead of matching the black, brown, and grey color schemes consistent with the 1952 Leica IIIf Red Dial or 1938 Super Kodak Six-20, Lee chooses flashy colors and patterns that give each device an updated aesthetic. You can see more of Lee’s folded paper designs (including paper hamburgers, pizza, and chicken nuggets) on the artist’s Behance and Instagram.

Track Shorts: A Short Film Series with Colossal at Lost Arts

Still from Other Side of the Woods by Anu-Laura Tuttelberg.

Colossal is hosting a short-film program this Saturday night in Chicago at Lost Arts as part of a new series called Track Shorts. Echoing Lost Arts’ role as a laboratory and workshop for creatives working with their hands, Colossal brings together a collection of stop-motion short films that celebrate the physical labor of bringing stories to life on screen. This Track Shorts event is an hour-long program featuring over a dozen films by animators from nine countries. The screening is outside on an old railway loading dock at Lost Arts.

Shorts by PES, Laura Stewart, Kirsten Lepore, Norman McLaren, Anu-Laura Tuttelberg, Timothy Reckart, Gemma Green-Hope, and many others. We have just a few seats left, tickets are only $5.

An Inflated Roof of Spikes Protrude From a Crumbling Scottish Gatehouse

Three white inflatable installations protrude from the landscape in Scotland’s Mellerstain’s House and Gardens, works that inhabit both two aging structures and a lake that belongs to the estate built in 1725. The installations, which are collectively titled XXX, are by environmental artist Steven Messam (previously) and aim to present a contemporary twist on the marble sculptures that were meant to originally decorate the home’s grounds.

As of this year the grounds have been opened as a site for open-air contemporary works, with Messam’s pieces creating the first exhibition at the newly opened Borders Sculpture Park. Scattered, a series of 6 to 13-foot spheres bob on the surface of the lake, available for investigation by the small canoes one can rent on site. Pointed (pictured), a spiked protrusion from the former gatehouse of the estate, fills the center of the building, extending out only from the roof in a series of 28 10-foot peaks. Finally, Towered juts out from the center of the crumbling old laundry building in a series of tubes, its columns reaching the tallest at over 26-feet high.

The County Durham-based artist mainly works outside of the gallery, producing ephemeral installations like 2015’s PaperBridge which spanned a small English creek with 22,000 perfectly stacked pieces of bright red paper. You can see more from his XXX installation, and view future Border Sculpture Park exhibitions on their Instagram. (via DesignBoom)

Minimalism & Multitude: The Swarming Animated GIFs of Frédéric Vayssouze-Faure

French animator Frédéric Vayssouze-Faure explores complicated mathematical concepts through short animations he publishes on a Tumblr called Wavegrower. Sine functions, harmonic oscillations, and fractals are all core concepts behind his undulating and swarming animations. Via his artist statement:

This blog is a branch of the wavegrower project in which I’m focused on combining minimalism and multitude to create dynamic artworks with more than one level of reading, the first being that every cell constituting them has its own simple periodic motion, meaning regularly looping by spinning or twisting or stretching or balancing or revolving or swinging or shaking or beating or vibrating, in a word : oscillating.

As with several other designers and artists working with animations of this nature, Vayssouze-Faure shares the source code behind some of his works to help others learn how they work. You can see much more here.

Archeologists Unearth Ancient Smiley Face on a 3,700-Year-Old Jug

A team of Turkish and Italian archeologists working on a site in southern Turkey discovered an interesting object recently, an ancient smiley face drawn on the side of an off white jug. The faded face is simplistically drawn, two black dots hovering over a crooked arch just below, and is so subtle it was not noticed until it had been transported to a lab for restoration.

“The smiling face is undoubtedly there (there are no other traces of painting on the flask) and has no parallels in ancient ceramic art of the area,” said Dr. Nicolo Marchetti of Bologna University, who led the excavation.

The crew had been at the site of its discovery for the last seven summers, an area that was once the ancient Hittite city Karkemish. The object is unlike anything else they have encountered in the area, however it was not the only important thing unearthed. The team also found 250 clay bullae, or tokens that would have been attached to legal documents, a large basalt relief of two griffons, and the remains of both a fortress and grain silo.

The architectural site will be open to the public next year as the Karkemish Ancient City Archaeological Park. You can visit the ancient smiley close by when it goes on display at the Gaziantep Museum of Archaeology. (via The History Blog)

Delicate Botanical Tattoos by Pis Saro

Crimea-based tattoo artist Pis Saro (previously) brings plants to life on the surface of her clients’ skin, articulating near photo-realistic images of delicate ferns and flowers that traverse spines and encircle wrists. Collected here are a number of works from the last year, and you can see lots of additional new work on her Instagram.

Conceptual Illustrations That Unveil Hidden Worlds by Andrea Ucini

Self-taught Italian illustrator Andrea Ucini draws scenes which reveal hidden plot lines, adding a conceptual twist to his minimalistic imagery. Within Ucini’s illustrations one can sneak a peek behind the veil of a shadow or streetlamp, uncovering another world or just a curious rodent. In addition to working as an illustrator, Ucini also composes music and plays several instruments, a past time that he sites as a strong influence for his illustrations which have been included in Wired, Scientific America, Entrepreneur Magazine, and more. You can view more of the Denmark-based illustrator’s work on his Instagram, Behance, and Anna Goodson Illustration Agency where he is currently represented.

 

 

Abstract Neon Light Installations Photographed by Jung Lee

This Is The End, From the Series ‘No More’, 152×191cm, C-type Print, 2016

Like the loop-de-loop scribbles of a child, artist Jung Lee (previously) constructed a series of neon light sculptures that were installed and photographed against cinematic landscapes as part of her series titled “No More“. Earlier neon works by the artist have focused on legible typographic phrases and words, with these new pieces taking a markedly abstract turn, perhaps in direct connection with the series’ title. The neon sculptures were installed on foggy snowbanks and reflective beaches, adding a bit of intrigue as to their intention. Photographs from the “No More” series were on view amongst several additional light installations last year at One and J Gallery. (via Fubiz)

No more, From the Series ‘No More’, 152x191cm, C-type Print, 2016

Unintelligible, From the Series ‘No More’, 152×191cm, C-type Print, 2016

Still Dreaming, From the Series ‘No More’, 152×191cm, C-type Print, 2016

Take Me Away, From the Series ‘No More’, 128×161cm, C-type Print, 2016