Friday, 29 June 2018

Crumbling Concrete Structures Transformed Into Designer Purses by Street Artist Thrashbird

Los Angeles-based artist Thrashbird is known primarily for stencils and paintings that blend socio-political commentary and humor, which are often done in highly visible areas like on city walls or billboards. For a recent project called “Valley Of Secret Values,” the artist ventured off the beaten path to an abandoned industrial site. Thrashbird transformed crumbling structures into replicas of high-end designer bags using paint for designs and nearby found objects like tires and wood for the handles, straps, and hardware.

While on an expedition through Lime, Oregon, the artist happened upon what used to be a power plant. “To see [the stones] crumbling with the passage of time, returning to the earth as a dust, well the metaphor was too strong to disregard,” Thrashbird told Ignant. He chose to paint the structures as handbags as “part beautification project, part cautionary tale,” drawing parallels to the destructive nature of society’s obsession with consumerism while confronting his own demons.

“We grapple for status and purpose in society, and [consume] possessions to showcase how successful we are and to fill us with purpose, with complete disregard for the people and the planet affected by our careless overconsumption,” Thrashbird said. “Our measure of success has been skewed. We’ve come to a place in society where things and social status have become more important than our connection to each other.”

You can see more of the street artist’s roving installations on Instagram. Thrashbird also offers prints and small editions of original artwork in his online store. (via Ignant)

Painted Street Carpets Connect Modern Cities to Ancient Ornamentation by Arthur-Louis Ignoré

Arthur-Louis Ignoré, also known as Ali, paints white patterned carpets on public sidewalks and passageways in cities across the world, including recent installations throughout France and Finland. The works are inspired by both geometric and botanical patterns found in ancient ornamentation from a wide range of cultural contexts. By combining the patterns into public works, he showcases the diversity found in our modern cities while providing a domestic aesthetic that contrasts the often brutalist feel of urban environments.

Currently the artist lives in Rennes, France, where a few years ago he painted his largest installation to date. The 10,000-square-foot mandala was painted on the roof of the Social Welfare Family Allowance building, and visually created links between works Ali produced in both Montreal and New York City. You can see more of his painted carpet installations on Instagram and Behance.

Vibrant Watercolor Paintings Filled With Quirky Characters and Mysterious Monochrome Worlds

Illustrator Marija Tiurina (previously) creates fantastical worlds packed with original characters. The complex watercolor paintings force the viewer to stare deeply into tangled masses to extract specific elements, which often appear to be creations of a centralized figure’s consciousness. In the illustration above a man can be seen exiting a chaotic cool-toned realm while stepping into an equally layered red and purple-hued dimension. Is the viewer peeking into a fictionalized universe, or are we looking into the character’s own mind?

Although Tiurina often sketches a draft of her works before adding watercolor, several of the pieces presented here were freehanded directly onto the paper with paint. This spontaneity is seen in many of her new, larger works which you can browse on Behance. More illustrations can also be seen on her website and Instagram.

Thursday, 28 June 2018

Quirky Portraits by Bill Mayer Imagine Flora and Fauna as High Society Humans

Des Fleurs Qui Mordent

Fusing charming portraits of wildlife with the severe trappings of historical costume, Bill Mayer creates darkly fantastical worlds in his detailed gouache paintings. A frog poses in royal dress, a pearl-draped mouse looks ready for a ball amongst massive wedges of cheese, and a rhinoceros stands ready to defend his territory in a suit of armor. The accomplished illustrator lives in Decatur, Georgia and has had a long career as a commercial artist. In an interview with WOW X WOW, Mayer reflected on his concept development:

For me, the most important element of the painting is the concept. The medium you use is just a way of furthering that original concept or finding some elements that add an intelligence to the work. Most of the time I start with small thumbnails which help me sort out the basic visual, a starting place. It probably comes from years of commercial work where you have to show your ideas before you start on a piece… Sometimes I will pull a piece of acetate over a painting and try to figure out what was bothering me and try a few things. Sometimes I will scan them in and use Photoshop, try some things, then go back and paint that way.

The artist continues on to explain that he doesn’t draw much distinction between being an illustrator or a fine artist, and he has only recently begun to show his work in gallery settings. You can see more of Mayer’s vast portfolio, including commercial work and digital illustrations, on his website. (via Supersonic)

The Pathogen

Queen of the Flies

Tulip Head

Cheeseball  

Tortoise and Hare

Land of Plenty (left), The Warrior No. 2 (right)

The Black Sun

Winter’s Muse

Researchers in Tokyo Invent a Robot to Autonomously Shift its Shape in Flight

The JSK Lab at the University of Tokyo has designed a modular flying robot that propels itself through the air with several small fans. The entire device is built to autonomously alter its shape during flight, allowing the robot to maneuver its way through obstacles that might obscure its path. The robot is named DRAGON, which is a simplified way of saying “Dual-rotor embedded multilink Robot with the Ability of multi-deGree-of-freedom aerial transformatiON.

The project’s researchers imagine the robot to eventually act as a flying arm, moving its way through the air as it picks up and moves objects with a two-fingered grip. The linked modules that compose DRAGON’s body are connected via hinged joints and the entire structure is driven by an Intel Euclid which allows for a 3 minute run time. The above video shows the robot shape-shifting from a circular configuration to a snake-like object in order to pass through a small hole in the grid that lies above.

DRAGON was presented as a part of the paper “Design, Modeling and Control of Aerial Robot DRAGON: Dual-Rotor Embedded Multilink Robot with the Ability of Multi-Degree-of-Freedom Aerial Transformation,” by researchers Moju Zhao, Tomoki Anzai, Fan Shi, Xiangyu Chen, Kei Okada, and Masayuki Inaba at the International Conference on Robotics and Automation 2018 in Brisbane, Australia in May. (via The Kid Should See This)

Wednesday, 27 June 2018

Take a Tour of ‘Inflatable’ at San Francisco’s Exploratorium

Guardian of the Disphotic by Shih Chieh Huang (2018)

The Exploratorium summer show, curated by Colossal, has filled the museum and exploration space to the roof—literally!—with eye-catching, mind-boggling, and joy-inducing interactive inflatable art. Take a peek at the exhibit, which includes artwork by Shih Chieh Huang, Jason Hackenwerth, Amanda Parer, Jimmy Kuehnle, and Pneuhaus. ‘Inflatable’ is on view through September 3, 2018 in San Francisco. Find out more on the Exploratorium website.

Cauldron Veil by Jason Hackenwerth (2018)

Cauldron Veil by Jason Hackenwerth (2018)

Fantastic Planet by Amanda Parer (2016)

Fantastic Planet by Amanda Parer (2016)

Bau(ncy) Haus by Jimmy Kuehnle (2018)

Bau(ncy) Haus by Jimmy Kuehnle (2018)

Compound Camera by Pneuhaus (2017)

Compound Camera by Pneuhaus (2017)