“The Impostor (George’s Zebra)” (2017), oil and alkyd on cradled panel, 24 x 24 x 1.5 inches, all images via Toni Hammel
Toronto-based artist Toni Hamel works across mediums to create drawings, paintings, and sculptures that analyze human behavior. In her two-dimensional work the artist often incorporates animals and icebergs being treated as art objects by men in lab coats and smocks. The male subjects are seen analyzing or altering the zebras, giraffes, and whales, painting over their spots or pinning on stripes with a marked precision.
Hamel describes her art practice as an “illustrated commentary of human frailties,” seeking to highlight peculiar behavior in humans. “Drawing from personal experiences and outward observations, I point to historical, social, and psychological references,” she tells Colossal. “Virtues and vices, the holy and the profane, the good and the bad, all share equal weight and supply as infinite source material for my investigations.”
Hamel received her BFA from the Accademia di Belle Arti of Lecce in 1983, and a post-graduate certificate in Computer Graphics from Sheridan College in 1991. You can see more of her satirical works on human behavior on her website and Instagram.
“The Heist” (2017), oil and alkyd on cradled panel, 24 x 24 x 1.5 inches
“The Watch” (2017), oil and alkyd on cradled panel, 24 x 24 x1.5 inches
“Now You See Me” (2016), oil on Arches oil paper, 15 x 22 inches
“Opening night”(2016), oil on canvas, 24 x 24 inches
“The Pretender” (2016), oil on Arches oil paper, 15 x 22 inches
“Ceci n’est pas un arbre (pour Charlie)” (2016), oil on canvas, 16 x 20 inches
“Weathermen” (2016), oil on canvas, 24 x 24 inches
No comments:
Post a Comment