Friday, 15 February 2019

Historical Paintings Get a Pixelated Update

Based on “Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn, Princesse de Broglie” by Jean Auguste Dominique Ingres

Greek artist and art director Dimitris Ladopoulos (previously) continues to use the Houdini algorithm, referred to as treemapping, to interpret paintings from the art history canon. The program calculates the density of information in a user-provided image and then divides it based on selected parameters, creating a pixelated effect that forms distinct color tiles of varying heights. In a statement about the project, Ladopoulos draws a comparison between treemapping and the original painter’s use of varied brushstrokes to bring fine detail, color variation, and texture to select areas of the canvas. You can see more of Ladopoulos’s work on Behance and Instagram.

Based on “Mona Lisa” by Leonardo da Vinci

Based on “Portrait of a Young Man” by Titian

Based on “Vincent van Gogh” by John Peter Russell

Based on “Young Woman with a Water Pitcher” by Johannes Vermeer

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