Windmills, 12×12 inches, acrylic, ink, found photograph on panel, 2017
Using a combination of oil and acrylic paint, ink, and found photographs, Seattle-based artist Mary Iverson (previously) investigates the relationship between humans and their environment in her landscape overlay paintings. Iverson builds worlds where dramatically angled, brightly colored geometric shapes are caught in webs of competing perspective lines and grids, superimposed over otherwise tranquil scenery.
Iverson described her work to Amadeus Magazine: “In following my interests and working to resolve an artistic dichotomy within myself, between my love and nature and my fascination with the shipping industry, I came upon a visual solution that metaphorically echoes what we are facing in the world today.”
These paintings are included in Correspondence, her exhibition with Scott Albrecht at Andenken Gallery in Amsterdam, NL. The show opens on November 11. You can also see more of Iverson’s finished and in-progress works on Instagram.
Fort Bourtange, 12×12 inches, acrylic, ink, found photograph on panel, 2017
Amsterdam, 12×12 inches, acrylic, ink, found photograph on panel, 2017
Summer Triangle, Crater Lake National Park, 30×30 inches, oil on canvas 2017
Shipwreck, Yosemite National Park, 30×30 inches, oil on canvas, 2017
Shipwreck, Mount Rainier National Park, 30×30 inches, oil on canvas 2017
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