Monday, 23 July 2018

Masses of Wooden Chairs Pour From Old Villas by Karin van der Molen

"Flux" (2015), Domaine du Rayol, Rayol du Canadel, France, all images via Karin van der Molen

“Flux” (2015), Domaine du Rayol, Rayol du Canadel, France, all images via Karin van der Molen

Site-specific installation artist Karin van der Molen creates connections between the natural and man-made through chair-based works that flow from the windows of aging villas. In her 2015 piece Flux the Dutch artist created one of her installations at the Le Rayolet in the botanical garden Domaine du Rayol. The wooden chairs meld into a stream of organized logs that connect the work to the surrounding gardens. The piece seems to go from solid to fluid, forming a bridge that she explains “makes us aware of the cross-over between culture and nature.” Molen produces a similar effect in A Wave of Nostalgia which she installed at the Museum Lolland-Falster in Pederstrup, Denmark in 2014. You can view a wider range of her installations on her website.

"Flux" (2015), Domaine du Rayol, Rayol du Canadel, France

“Flux” (2015), Domaine du Rayol, Rayol du Canadel, France

"Flux" (2015), Domaine du Rayol, Rayol du Canadel, France

“Flux” (2015), Domaine du Rayol, Rayol du Canadel, France

"A Wave of Nostalgia" (2014), Museum Lolland-Falster, Pederstrup, Denmark

“A Wave of Nostalgia” (2014), Museum Lolland-Falster, Pederstrup, Denmark

"A Wave of Nostalgia" (2014), Museum Lolland-Falster, Pederstrup, Denmark

“A Wave of Nostalgia” (2014), Museum Lolland-Falster, Pederstrup, Denmark

"A Wave of Nostalgia" (2014), Museum Lolland-Falster, Pederstrup, Denmark

“A Wave of Nostalgia” (2014), Museum Lolland-Falster, Pederstrup, Denmark

"A Wave of Nostalgia" (2014), Museum Lolland-Falster, Pederstrup, Denmark

“A Wave of Nostalgia” (2014), Museum Lolland-Falster, Pederstrup, Denmark

 

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