“The Installation” (2017), cardboard, trace paper, mounted on timber base with hand-blown glass dome, 23 x 12 x 12 inches
Australian artist Daniel Agdag (previously) produces invented contraptions and antiquated flying machines from cardboard, timber, and trace paper, turning his whimsical fantasies into highly detailed sculptures. The works seek to connect his audience with the mechanics located beneath the exterior of modern machines, while emphasizing the complexity present in our everyday experiences.
New sculptural works include a flying caboose the combines the visual language of locomotives and hot air balloons, and a turbine-assisted car that moves horizontally along a raised track. In addition to these new pieces, Agdag has also released a short film with producer Liz Kearney titled Lost Property Office. The stop motion animation follows a custodian named Ed through his solitary work in a large city’s Lost Property Office, exploring the whimsical creations he builds from discarded objects and machines. Over 2,500 sheets of recycled cardboard were utilized over the course of film’s 18-month production, which translated into 1,258 hand-crafted and Art Deco-style set pieces and props.
Agdag and Kearney’s film is currently being screened at film festivals all over the world. Next month Lost Property Office will travel to the New Zealand International Film Festival for Animation Now! on August 2 and 6, 2018 and the Palm Springs International Animation Festival from August 22-26, 2018. You can watch the trailer for the short in the video below, and see more of Agdag’s sculptural objects on his website and Instagram.
Still from Lost Property Office
Still from Lost Property Office
“The Compartment” (2018), cardboard, trace paper, mounted on timber base with hand-blown glass dome, 23 x 12 x 12 inches
“The General and the Caboose” (2017), cardboard, mounted on timber base with hand-blown glass dome, 23 x 12 x 12 inches
“The General and the Caboose” detail
“The Chapel” (2017), cardboard, mounted on timber base with hand-blown glass dome, 23 x 12 x 12 inches
“The Chapel” detail
“The Caboose” (2018), cardboard, trace paper, mounted on timber base with hand-blown glass dome, 23 x 12 x 12 inches
“The Caboose” detail
“The Northwesterly” (2017), cardboard, trace paper, mounted on timber base with hand-blown glass dome, 23 x 12 x 12 inches
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